bring on the lions! (annie dillard)

Excerpt from Annie Dillard's "The Writing Life":

"Bring on the lions!" I cried.

But there were no lions. I spent every day in the company of one dog and one cat whose every gesture emphasized that this was a day throughout whose duration intelligent creatures intended to sleep. I would have to crank myself up.

To crank myself up I stood on a jack and ran myself up. I tightened myself like a bolt. I inserted myself in a vise-clamp and wound the handle till the pressure built. I drank coffee in titrated doses. It was a tricky business, requiring the finely tuned judgment of a skilled anesthesiologist. There was a tiny range within which coffee was effective, short of which it was useless, and beyond which, fatal.

I pointed myself. I walked to the water. I played the hateful recorder, washed dishes, drank coffee, stood on a beach log, watched bird. That was the first part; it could take all morning, or all month. Only the coffee counted, and I knew it. It was boiled Colombian coffee: raw grounds brought just to boiling in cold water and stirred. Now I smoked a cigarette or two and read what I wrote yesterday. What I wrote yesterday needed to be slowed down. I inserted words in one sentence and hazarded a new sentence. At once I noticed that I was writing--which, as the novelist Frederick Buechner noted, called for a break, if not a full-scale celebration.

On break, I usually read Conrad Aiken's poetry aloud. It was pure sound unencumbered by sense. If I ever caught a poem's sense by accident, I could never use that poem again. I often read the Senlin poems, and "Sea Holly." Some days I read part of any poetry anthology's index of first lines. The parallels sounded strong and suggestive. They could set me off, perhaps.

This morning, as on so many mornings, I lacked sufficient fuel for liftoff. I looked at the legal pad pages again. A new section must be begun in the book, and a place found to put it. I wrote four or five sentences on a gamble, smoked more to stimulate the brain or stop the heart, whichever came first, and reheated a fourth mug of coffee. After the first boiling, the grounds sink to the coffeepot's bottom. When you reheat it, you call it refried coffee. I already felt like the empty kettle on a hot burner, the thin kettle whose water had boiled away. The top of my stomach felt bruised or burned--was this how mustard gas tasted? I drank the fourth mug without looking at it, any more than you look at the needle in a doctor's hand.

Now, alas, I had cranked too far. I could no longer play the recorder; I would need a bugle. I would break a piano. What could I do around the cabin? There was no wood to split. There was something I needed to fix with a hacksaw, but I rejected the work as too fine. Why not adopt a baby, design a curriculum, go sailing?

-Annie Dillard, The Writing Life 

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